Jun Ji-Hyun and Tony Leung rumoured to star in ‘Ferryman’

jun ji hyun

Apple Daily:

Hong Kong auteur Wong Kar-wai has approached South Korean star Jun Ji-Hyun to star opposite Tony Leung Chiu-wai in his next movie, ‘Ferryman‘.

The actress is keen to work with the award-winning Grandmaster director, but is committed to another film project, Apple Daily said. Wong’s shoot is set to start in September in Nanjing, whereas Jun has a shoot at the end of the year for the film ‘Assassination‘.  Ferryman is a romance based on a Chinese short story by writer Zhang Jiajia.

Jun, who shot to international fame in 2001’s ‘My Sassy Girl’, could play Ah Yu, a young woman who is in love with painter Ma Li, to be played by Leung.

Wong is planning to cast ‘Lust, Caution’ actress Tang Wei as Ma Li’s unfaithful former wife, and Taiwanese-Japanese actor Takeshi Kaneshiro as Zhang.

A spokesman for Wong’s Jet Tone Films said that filming was to begin later this year, but did not name any of the cast. “I can only say that the actors we are talking to are heavyweights,” she said.

Song Hye Kyo, the South Korean actress who played the wife of Ip Man (Leung) in The Grandmaster, had found working with the director difficult. The film was 10 years in the making, and shooting took three years. All the actors said the filming was arduous and Song was said to be unhappy with the time-consuming shoot. The language barrier was also an issue for her, and may surface again should Jun be cast.

Tony Leung will not film “The Grandmaster” sequel

[youtube=http://www.youtube.com/watch?v=9vRKCiXxAv0]

Oriental Daily:

Supported by Hong Kong University’s Culture and Humanities Fund, a dialogue session for the film ‘The Grandmaster’ was held at the Hong Kong University on January 31. The session was attended by actor Tony Leung, stunt coordinator Yuen Woo Ping, and martial artist Lau Kar Yung. Over one thousand tickets were given out to HKU students a few days prior to the session. All tickets were passed out in two hours. The waiting list for the session also exceeded 600 people.

At the session, Tony Leung openly talked about his filming experience on the set of ‘The Grandmaster’. Tony remarked that although it had a tough three-year engagement, he did not regret the experience. Art house director, Wong Kar-wai, never really made movies for money, but ‘The Grandmaster’ has now become his most commercially successful film in the box office. The film’s distributors are urging Wong to film a sequel, in which Wong is considering.

Leung is a longtime collaborator of Wong, but upon hearing that Wong may be working on a sequel, he immediately shook his head. Wong and Leung were earlier rumored to have had a falling out due to a disagreement on the film’s script and filming style. Leung insisted that he and Wong still get along really well; nonetheless, he expressed that he will not film ‘The Grandmaster’ sequel if it is to be made. The 50-year-old actor explained, “I want to try new things. I like staying fresh. If I do the same things over and over again, it won’t be fun.”

As ‘The Grandmaster’ took over three years to film, many actors in the film, including Tony Leung and female lead Zhang Ziyi, had complained about the harsh struggles in working on the film. Song Hye Kyo was also reportedly upset with Wong’s lurching and dragging filming ways, and declined to participate in the film’s promotions.

tony leung yuen woo ping lau kar yung 1

tony leung yuen woo ping lau kar yung 2

tony leung hku

tony leung hku

Martial arts epic ‘The Grandmaster’ reduced Tony Leung to tears

tony leung wkw 5

Yahoo! Singapore:

Yes, the normally stoic and calm Tony Leung was so overcome by emotion when he saw the final cut of martial arts epic ‘The Grandmaster’ that he cried. “When I saw the finished piece, I had a moment of extreme emotion, and I cried,” admitted Leung in Mandarin at the Singapore press conference to promote the film with director Wong Kar-wai on Wednesday. “I was overcome by the feeling — it was the fruit of four years of work and challenges.” Challenging would be an understatement — Leung, 50, reportedly broke his hands twice during training during filming, and he even began taking Wing Chun lessons three years beforehand to prepare himself for his role. The cast also had to film through rough weather conditions — toughing it out in China on the coldest winter in ten years and then later through a sweltering summer. The movie’s release was repeatedly delayed, reportedly due to Leung’s injuries and many scenes had to be cut as there was too much footage. But if box office figures are anything to go by, it looks like all that pain and suffering was worth it -‘The Grandmaster’ has grossed about S$2.3 million in Hong Kong and S$60 million in China so far.

Yahoo! Singapore finds out from the Asian cinema dream-team why exactly the film took so long to be made and if rumours about Wong and Leung being at odds are really true.

“I grew up reading martial arts novels as a child and I was always curious – was Chinese Kung Fu really as mystical as it seemed in the stories? Was it only something visually appealing or was it as invincible an art as what I read?” said the Shanghai-born Wong.  And so the notorious perfectionist set out on an arduous journey to find his answers, travelling across China to meet modern day pugilists and historians who were experts in the fields of Wing Chun, Baguazhang, Bajiquan, and Xingyiquan martial arts. “I found that it was indeed as mystical and as invincible as my stories — and I hope that this is reflected in the movie,” said Wong. Wong was so moved by his research that he made it a requirement for all his main actors to spend at least a year training under a kung-fu grandmaster in order to develop the “spirit” of a Chinese pugilist.

Discovering the ‘soul’ of martial arts

Veteran method actor Leung not only took on Wong’s challenge but took it a step further, training for three years until he was strong enough to break a wooden board that was a few inches thick with one blow. “You cannot find the true essence of martial arts in a book. You must find it through practice — it is something that will take root in you and grow by itself. After three years of experiencing it, I can start to go beyond the physical aspects of kungfu to find it’s true spirit,” said the intense Leung, who plays the titular character in the story, Ip Man. When asked if he ever thought of giving up when he was injured, Leung, who looked taut and trim in a white shirt and black cardigan, paused to find the right words to express himself. “It (broken hands) was no big deal, you can also injure yourself exercising. What was frustrating was that I had to start all over again. I had reached this level at my training, and then the injury, and I was back at square one. But you just have to figure out how to overcome it.”

Comparisons with Donnie Yen’s Ip Man

However, fans expecting a straight-up, action-packed reboot of Donnie Yen‘s 2008 smash hit “Ip Man” may end up disappointed. Wong’s filming style remains cinematic and highly stylised with plenty of slow-mo cuts — the focus being on the actors and their expressions of inner turmoil. “To play Grandmaster Ip Man, Leung needed not just strength in body but also spirit and mind. He has exceeded my expectations of him as an actor — this movie will show a totally different side to him,” said Wong – high praise from a man of few words. “He(Leung) has attained a very high level of acting – by just moving one muscle, he can completely change the expressions on his face and the feel of his performance.”

Did Leung and Wong fall out?

It seemed like a silly question to ask after Leung and Wong had bantered with and praised each other repeatedly during the press conference, but rumour has it the two fell out after the release of ‘The Grandmaster’ because Wong had cut many of Leung’s scenes, placing the limelight on Chinese actress and co-star Zhang Ziyi instead. Korean actress Song Hye-kyo, who plays Ip Man’s wife, only received six minutes of screentime and has been conspicuously absent from all promotional tours for the movie. Rubbishing the rumours, Leung said that he was not even sure himself how many cuts had been made. “If Wong were to use all the footage, the film would be four to five hours long. Look at me, the product I am is the results of 49 years of experience, and it’s impossible to share everything about me in one breath. The finished product is Wong’s product — I don’t see it as a waste or a pity.”

Leung also described the relationship between him and Wong as being one of “complete trust” and “unspoken chemistry” borne of 20 years of friendship and seven movies together. “We have known each other for 20 years. Although we don’t talk very often, we have a relationship of absolute trust. When you work with someone you trust completely, you only have to focus on yourself,” said Leung. However, he was coy about actress Song’s absence. “I have a lot of empathy for Song. I have shot many movies that are not in my native language and I know how it feels when you don’t understand the language. It’s like you’re deaf and dumb,” he said.

One last thing — Wong would like you to know that no expensive qipaos (Mandarin gowns) were damaged by Zhang Ziyi during the three years of filming. “She (Zhang) is a very cultured lady of impeccable bearing. She would not even sit in between takes so that the dress would not get wrinkled or untidy. I have told the young actors to learn from her,” said Wong with a laugh. “Be aware of your appearance, your behaviour and the impressions you make,” he intoned, tongue in cheek.

tony leung

Tony Leung jokingly asks Wong Kar-wai to treat actors nicely, denies feud with director

tony leung wkw 1 Sina:

Actor Tony Leung Chiu-wai and director Wong Kar-wai earlier promoted ‘The Grandmaster’ in Singapore. Reportedly actress Song Hye-kyo was upset at being left with only one line and was absent from the promotion for the film, Leung expressed sympathy and even asked Wong Kar-wai to treat actors kindly!

Tony Leung and Wong Kar-wai arrived in Singapore with a crew of ten, including Leung’s private security and security guards hired by the film’s production company. During the interview, Leung explained that actors who work with Wong Kar-wai are never certain about their characters. Leung said, “When I made his movies before, I never had a time that I was as certain as this time. I only knew what I was playing. Theirs (other actors’ roles) I didn’t know about. I hope the director would one day ‘treat them kindly’!” Speaking of Song Hye-kyo only having one line in the film, Leung “sympathized”. Wong Kar-wai said, “Not every actor is as mature as Tony!” However he also denied that Song Hye-kyo was upset.

Leung dismissed rumors of tensions and unhappiness with his director over having some of his scenes from the movie cut. “I don’t harbor any unhappiness or ill feelings toward Wong because I respect and understand his decision,” Leung said in response to a question. “The decision is entirely up to him to decide how his story should be told.”

‘The Grandmaster,’  is Leung’s seventh collaboration with Wong and recounts the life story of Chinese martial arts legend Ip Man, famous for having trained Bruce Lee. “I wanted to see a different Tony for this movie and I believe that ‘The Grandmaster’ has proven to be a new challenge for him both physically and emotionally with the amount of time taken to film it,” Wong said in support of Leung. “It is a new way of showcasing the character of Ip Man so it was physically challenging for Tony to undergo training for so many years just to prepare for the role.”

Wong Kar-wai’s movie is full of mystery, but actually he is very mysterious himself. Because he has not removed his sunglasses for years, reporters joked if ‘The Grandmaster’ was a hit would he celebrate by taking off his sunglasses? He made a rare joke and said that he only had one pair of sunglasses and was very faithful. The tender look behind the sunglasses would only be saved for his wife.

 

Zhang Ziyi stole Tony Leung’s limelight in ‘The Grandmaster’

zhang ziyi the grandmaster

Apple Daily:

Portraying Ip Man in ‘The Grandmaster’  Tony Leung  jokingly moaned, “I have been training under a Wing Chun master for the past 3 years, yet the scenes I have can’t beat Zhang Ziyi.” Although director Wong Kar-wai had set out to make a biopic about Ip Man, ‘The Grandmaster’ grew into a sprawling account of Chinese martial arts. In the opening scene, Tony Leung fought off 10 of his adversaries in a rainy scene, showcasing Wong Kar-wai’s signature martial arts aesthetics. In another scene, Leung and Zhang Ziyi were dueling at the Golden House; the awe-inspiring exchange proved the hard work both actors had put in throughout their training.

In ‘The Grandmaster’, Tony Leung hardly has many spoken lines, which prompted wife, Carina Lau to nickname him as “The Silent Ghost” after watching his performance. Director Wong Kar-wai explained, “Initially I gave Tony many lines, but I deleted them in the end because Ip Man is a man of few words. Without saying a word, he is able to command the room.” On the contrary, Zhang Ziyi had some of the best lines in the film. At the same time, her internal struggle between her admiration for Leung’s Ip Man and her impulse for exacting revenge for her father proved to be a well-received performance.

Under Wong Kar-wai’s heavy-handed editing, Chang Chen, Song Hye-kyo, and Julian Cheung Chi-lam have little screen time in ‘The Grandmaster’, despite extended filming. Taiwanese actor Chang Chen, trained for three years under a Baji master for his role; however, he ended up appearing in only three scenes in the film. Chang said, “I know Wong Kar-wai’s style, so I have expected this.” South Korean actress Song Hye-kyo, who has been noticeably absent from the film’s promotional events, plays Ip Man’s wife has one line in the entire film, “Is it that cold in Foshan?”, while Julian Cheung only appears for a few seconds.

‘The Grandmaster’ marks Tony Leung’s seventh collaboration with Wong Kar-wai. Since 1990, Leung has appeared in Wong Kar-wai’s movies such as ‘Days of Being Wild’, ‘Ashes of Time’, ‘Chungking Express’, ‘Happy Together’, ‘In the Mood for Love’ and ‘2046′. Will there be an eighth time? Leung declined to comment, likely due to the laborious filming conditions of ‘The Grandmaster’ and physical exertion for his role.

‘The Grandmaster’ was the top film in mainland Chinese box offices, earning 162 million RMB in its opening weekend.

Wong Kar-wai’s ‘The Grandmaster’ is a must-see

Sina.com:

Wong Kar Wai’s ‘The Grandmaster’, a film that took a decade of preparation and nearly four years of filming, finally opened in China, Hong Kong, and Macau cinemas last week. It has been more than five years since the acclaimed Hong Kong director released his last feature film, ‘My Blueberry Nights’, which starred Norah Jones and Jude Law, and nearly nine years since his last Hong Kong film, ‘2046.

Film critics originally questioned Wong’s ability in producing kung fu epics, as the director is mainly known for his works on pensive, arthouse films. However, Wong’s $300 million HKD film ended up exceeding expectations. Mainland Chinese moviegoers flooded to the theaters on its January 8 release date. In mainland China, the film grossed 29.8 million RMB on its opening day Tuesday. In Hong Kong, the film earned $1.8 million HKD on its January 10 release date.’ The Grandmaster’ has since grossed more than $225 million HKD in the Greater China box office, succeeding ‘2046′s record in 2004.

The Grandmaster, a biopic of Wing Chun legend Ip Man, centres on the conflicts between Northern and Southern Chinese martial arts. Tony Leung Chiu-wai, Wong’s longtime collaborator, portrays Ip Man. Zhang Ziyi portrays Gong Er, the confidant daughter of Gong Baolin (portrayed by Wang Qingxiang), a baguangzhang master from the Northeast. To protect her family’s honor and to avenge for her father’s death, Gong Er travels to the South to challenge Ip Man’s southern martial arts. Chang Chen co-stars in the film as the special agent, Razor. Song Hye-kyo stars as Ip Man’s wife, Cheung Wing Sing.

‘The Grandmaster’ opened in Hong Kong on January 10 to great ovation and success. Numerous Hong Kong film entertainers have expressed their excitement and appraisal of the film through their Weibo, Facebook, Twitter, and Instagram accounts. Among the most enthusiastic critic was fellow Hong Kong director and competitor, Wong Jing, who chose to challenge ‘The Grandmaster’s Hong Kong box office with his gangster film, ‘Young and Dangerous: Reloaded’, which was also released on January 10. Wong Jing wrote, “I am very, very impressed. Since 1988 until now, this is the first time when I felt like I have truly lost.” Chapman ToLeo Ku, ‘Ip Man’ director Wilson Yip, and ‘You Are the Apple of My Eye’ director, Giddens Ko have all praised the film in their respective social media sites. ‘Love in a Puff’ director, Pang Ho Cheung, wrote, “The Grandmaster in two words? A masterpiece.”

‘The Grandmaster’ will open in Taiwan on January 18 and Singapore on January 31.

wong kar wai 2

Song Hye-kyo shoots ‘The Grandmaster’ for 1 Year, 6 minutes screen time in return

song hye kyo tony leung

Oriental Daily:

The 10 -year production ‘The Grandmaster’ was finally released earlier this week in China. Lead actor Tony Leung Chiu-wai and lead actress Zhang Ziyi were willing to sacrifice their time and lose several jobs to shoot this film from beginning to end. In 2010, it was rumored Korean actress Song Hye Kyo “fussed” and was unwilling to take up extra time to re-shoot some scenes. After spending a year shooting, she only had 6 minutes of screen time in the 130 minute film, with lead actress Zhang Ziyi occupying 100 minutes!

Although Song Hye Kyo had little screen time and declined to participate in the promotions, lead actor Tony Leung still praised her professionalism despite having a language barrier with the crew and basically gave a lot of ‘face’. Leung said: “I totally understand her situation. In the past, I went to Taiwan to shoot Hou Hsiao-Hsien’s film not knowing any Mandarin. At the time, I felt as if I was mute and couldn’t speak. But, Song Hye Kyo was very professional, she was able to portray the elegant woman, she’s a very rare actress.” Wong Kar-wai’s production style is ‘patient work makes a good product’, and may not necessarily understand every artist. Leung works very closely with the director, asked if he tutored Song Hye Kyo? He laughed: “She’s very professional, it was not necessary.”

Tony Leung also praised Zhang Ziyi, he said: “I admire her. I don’t need to say much about her acting, but she trained her Kung Fu well. It’s amazing. I had a few action scenes with her, because we had to accommodate several things, I couldn’t hit her lightly. That night we were shooting the scene 50 times, so absolutely there was accidental hitting and stepping involved, I know she was in real pain due to her old injuries, but she held it all in. I really admire her, very rare!”

tony leung chang chen song hye kyo