Song Hye-kyo slaps Tony Leung in ‘The Grandmaster’ featurette

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Sina:

Two days after being released in Hong Kong, Wong Kar-wai’s ‘The Grandmaster’ accumulated HK$2.82 million at the box office (excluding late shows). With stronger and stronger momentum it pulls away from the same week release, Wong Jing’s‘ Young And Dangerous: Reloaded’; the latter grossing only HK$860,000 over two days.

Wong Kar-wai initially cut ‘The Grandmaster’ into a 4 hour version. Due to running time restrictions he cut it down to the current release of 130 minutes; many scenes were “missing”. A newly-released production special showed glimpses of some of the deleted scenes. Tony Leung personally explained Ip Man and talked about his kung fu training.

In Tony Leung’s eyes Ip Man was mild mannered and elegant, he did not resemble a kung fu person; he rose and fell and in the end he was able to calmly be himself. Wong Kar-wai hoped that Leung’s Ip Man performance would be a mix of Ip Man and Bruce Lee. He tried to combine them for the effect. Leung said that Ip Man enjoyed kung fu as much as Bruce Lee but normally he was so mild mannered that no one knew he could fight. He said that Bruce Lee was his childhood idol. When he was 7 or 8 he was already a kung fu fan. Because his family was poor and felt that he would get into fights after learning kung fu, he was not permitted to learn.

When he explored the character, he thought that the character’s appearance could be expressed through technique. Yet if he did not understand the inside of the character he had no way to express its aura, which was not something that could be achieved over night; this his long term training was necessary.  “The first the fracture was only a hairline, the second time it was already cracked like shark teeth!” Because he did not want to hinder the progress, Leung originally wanted surgery but the doctor did not suggest it. He could only tell Wong Kar-wai to wait 4 months for him; thus Wong Kar-wai could only head to the Northeast of China and shoot the Zhang Ziyi train station duel first, but he ran into the coldest winter in history. Zhang Ziyi had to shoot in 30 degrees below zero.
Wong Kar-wai revealed that Tony Leung was reluctant. After recovering for about three weeks he headed to the Northeast to look for him and said that he could work on dramatic scenes. In the film Ip Man said that if life had four seasons, his before age 40 was all spring. Turning 50 this year Leung said, “Now is still spring for me. Because I have been very lucky to run into very excellent film people to work with. Making this film has changed my view on life. In the future I will choose to be optimistic because the character of Ip Man is different from my characters in recent years. My recent characters are all depressed, but this time he is very positive and optimistic. Now I like to happy and joyous, I feel the world has hope. Thus after ‘The Silent War’ I wanted to make some happy and warm movies.” 

In the production special the removed scenes included Tony Leung and Song Hye-Kyo’s sweet romantic couple scene, Ip Man sweetly smiling with his wife in his arms. When the Japanese military arrived, they got into a struggle and she slapped him. In the released version of the film, Chang Chen’s exciting duel with Leung at the end of the film was removed. His appearance with a razor to fight Leung was also unveiled.

Leung in one scene washed his wife’s (played by Song Hye-kyo)’s feet. He said, “I was forced to, Wong Kar-wai asked me to choose between bathing my wife or washing her feet. I could only choose washing her feet.”

The production special even uncovered that Ip Man once visited Master Gong Er in the Northeast. Leung in the drifting snow passed through the plum blossom courtyard, where they encountered each other again. Leung said he did not mind so many scenes and dialogue being cut because ‘The Grandmaster’ was Wong Kar-wai’s film. The director shot so much that cutting was necessary. Chang Chen agreed with Leung and said that he did not mind.

The featurette also revealed Julian Cheung Chi-lam as two characters, not only as a Chinese Opera actor but also Zhang Ziyi’s fiance. In this scene he only made an appearance in a flash.

Although the film received good response, Leung never thought about winning Best Actor with this film again because that was not his goal for making the film.

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‘The Grandmaster’ premieres in Hong Kong

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Sina:

Director Wong Kar Wai, and actors Tony Leung Chiu-wai, Zhang Ziyi, Chang Chen,  and Max Zhang Jun attended the Hong Kong Kong premiere of ‘The Grandmaster’. Critics compared ‘The Grandmaster’ of resembling Wong Kar-wai’s earlier film ‘In The Mood For Love’. Wong Kar-wai explained that he already had the idea for the film as early as 1989. “The preparation took years because I had to visit seven or eight provinces for martial art masters.” Zhang Ziyi did not conduct any interviews. Song Hye-kyo was in South Korea but sent a video. 

Tony Leung did not believe that Song Hye-kyo was upset that her role was reduced to just six minutes screen time. “Wong Kar-wai wouldn’t be at odds with anyone, I too had my scenes cut.” He described after three years in production the final half a month exhausted him thoroughly, as hard as the last 10 minutes of a marathon. As for Donnie Yen stating that he would watch ‘The Grandmaster’, Leung said, “I am not afraid of comparison, I have my own interpretation of the role.”

Ticket sales have been decent as many booked in advance, obviously Wong Kar-wai fans have been waiting for the film for a long time. Tony Leung’s martial art scenes have always been the focus. In the film he fought ferociously, completely relying on editing methods to assist and adjust. As for memorable scenes, they seemed to be Wong Kar-wai’s salute to his own classic films ‘In The Mood For Love’ and Fallen Angels’.

The film is about the life of Wing Chun master Ip Man, but the story actually could not leave Wong Kar-wai’s trademark “romance” out of the equation by depicting Tony Leung and Zhang Ziyi’s ambiguous relationship in particular detail. Their duel, spinning in the air and exchanging looks nose to nose was the most memorable; then through their letter exchanges and clothes buttoning to express their feelings, which were already full of poetic artistry.

The martial art fight scenes were the main focus of the movie for which Tony Leung studied Wing Chun. In the first half of the film, his six fight scenes were very convincing without any use of a stunt double. Of course he also relied on camera work and editing methods to assist and adjust, making the film even more intense and brilliant.

Zhang Ziyi and Max Zhang Jun’s fight at the train station looked the part and fought excitingly. Chang Chen fought decently as well but his role was drastically reduced in the film. He and Zhang Ziyi’s emotional scene was also deleted, weakening his character and made him less of an attraction than Zhang Jun.

Korean star Song Hye-Kyo as Mrs. Ip Man was pretty and sexy enough, but the role was too light. With only two lines she did not have much chance to perform, but she made up for it with her eyes and expressions; however she and Leung had intimate scenes. She wiped the unbuttoned Leung and showed off her legs as he bathed her feet.

The film also had many familiar scenes like reflections of Wong Kar-wai’s past work and salutes to them. Tony Leung and Zhang Ziyi locking eyes was like ‘Fallen Angel’s Leon Lai-ming and Michelle Reis’ love at first sight; Zhang Ziyi’s heart to heart with a hole in the wall reminded people of ‘In The Mood For Love’ where Tony Leung’s character whispered a secret into a hole in a tree. Leung washing Song Hye-kyo’s feet was just like his massage for Maggie Cheung Man-yuk in ‘In The Mood For Love’. As for Ip Man changing into a suit and applying gel to his hair reminded people of ‘In The Mood For Love’.

Wong Kar Wai as usual invited different guest stars, this time was no exception with Julian Cheung Chi-lam, Berg Ng Ting Yip, Lo Hoi Pang, Xiao Shenyang, action director Yuen Woo-Ping, Zhao Benshan, Tsui Kam Kong, Lo Mang. Tsui Kam Kong appeared in one shot and had no lines; Julian Cheung had no lines but portrayed a Chinese Opera star. Appearing in ‘Ip Man 2′, Lo Mang was the only actor who was able to take part in ‘The Grandmaster’. The challenging master Lo Mang and thug Xiao Shenyang added humor to balance the film’s tension. Veteran actor Lo Hoi Pang’s role was not large but his every move was dramatic.

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Critics compare ‘The Grandmaster’ to ‘Ashes Of Time’

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Mingpao:

Wong Kar-wai’s latest film ‘The Grandmaster’ will finally be released after taking 14 years to get to the screen from planning to production. A visibly relaxedTony Leung Chiu-wai attended a press conference in Beijing where he remarked that the three year production period made him thoroughly suffer, and he was somewhat in disbelief that it has already been completed. Zhang Ziyi described the production process as “getting on a pirate ship”, as she decided to never make another kung fu film. Film critics had more praises than criticism, some even described ‘The Grandmaster’ as along the same vein as ‘Ashes Of Time’. When Ip Man removes his changpao and puts on a suit, it’s eerily similar to the character Chow Mo-wan from ‘In the Mood for Love’.

‘The Grandmaster’ will be released in China on the 8th January. Wong Kar-wai led stars Tony Leung, Zhang Ziyi, Chang Chen and others to the Beijng press conference. Song Hye-Kyo who was rumoured to be upset at Wong Kar-wai’s schedule was notably absent.  After watching the film, some film critics wrote that aside from the perfect visuals, the poetic expression of the story was along the same vein as ‘Ashes Of Time’.
The 50-year old Tony Leung talked about the three-year long production. “Ultimately I didn’t start practicing kung fu until I was 47. I broke my arm twice, each time I needed several months to recover and wasted the fruits of my previous training. Wasn’t that very painful?” The earliest released rainy night fight scene was shocking visually, but behind the scenes Leung actually suffered. “After 30 overnight shoots, I told director Wong Kar-wai ‘I am done, I can’t take anymore’; the director said that ‘fine fine fine’, just like that. Finally we shot for another week, after which I thought I had pneumonia. I actually had bronchitis and lay in bed for five days. For half a year I worked at night for a long time. After the wrap I needed to adjust. I went to bed at midnight and got up at 4 or 5AM. I went running before the sun came out. (His wife) Carina Lau Ka-ling asked where I was going, during that period, my body was truly very tired.” 

Leung admitted that at first he was somewhat in disbelief that the film has wrapped. “On the day of the wrap I thought I would be especially excited, when the director said ‘Leung Chiu-wai’s final shot’. After the shoot I wasn’t too happy, maybe I felt that later I still had work like voice work and promotions. I was somewhat in disbelief still. In my experience, we could have had two wrap banquets and still go back to shoot. Three days later I could receive a call, ‘A scene could actually be even better, come back and fix it’, the possibility still exists.” He said that after returning to Hong Kong and settling for four or five days, he was much more relaxed. “Actually the pressure was tremendous all along, I was very tensed. Wong Kar-wai on the set was very relaxed, he was never in a hurry. We were the ones who were.” Donnie Yen’s ‘Ip Man’ will soon make its third installment. ‘The Grandmaster’ was often made fun of as taking too long to make. Leung said, “When you have fried chicken you still have to wait! The two movies are different. We shot for so long because we needed such a long time to be able to achieve it, so I don’t have anything to say.” He said that he needed to rest and would not make a movie for now.

Zhang Ziyi plays an Eight Diagram palm master in the film. She said that two nights ago after watching the film in its completed form for the first time she did not sleep all night. “Due to health and character consideration, I decided from now on I would not make another kung fu film. I am older, during training this time I realized I had many old wounds. My body was in a state of overload.” Zhang Ziyi joked that the production process was like “getting on a pirate ship”. “After three years of training and being with the character, I sensed the character’s troubled fate”.

Wong Kar-wai was often asked why it took so long. He said, “With such good actors supporting me, if I have the time I am willing to keep shooting. Although I was reluctant to part with it, everyone has to see it. ‘The Grandmaster’ displays the beauty of the Chinese people.”

Max Zhang Jun plays the character Ma San in the film and has an intense fight scene with Zhang Ziyi at a train station. Those who have seen the film have said that it’s the highlight of the movie. Zhang Jun said, “The pressure was enormous on this film, the fighting was real unlike before. Every school and every style were very clear cut.”

Wong Kar-wai was known for taking his time to be concise. Back then when he spent five years to complete ‘2046’ it was already classic, no one expected that ‘The Grandmaster’ would take 14 years from from planning to official release. At first Wong Kar-wai and Jeff Lau Chun-wai discussed ‘The Grandmaster’ story, in 2001 the script was officially registered, in 2003 the film announced its official production. For ten years most of the time only the buzz of the production could be heard. In 2008 Raymond Wong made ‘Ip Man’ with Donnie Yen, leading to a “twin incident”. 

‘Ip Man’ was released and became a hit, even following the momentum with a sequel. However Wong Kar-wai insisted on completing his research before beginning production and asked Tony Leung, Zhang Ziyi, Chang Chen to study martial arts. In July 2009, Leung  suffered a bone crack while sparring, during the shoot he even had a fracture. The film began shooting three years ago, with the rainy night fight scene in the trailer taking 30 nights, giving Leung bronchitis and made him sick for five days after the shoot. The film even had two wrap banquets, in the end Tony Leung, Zhang Ziyi and others were called back to continue additional shoots. Thus before the film is released, Leung still does not believe it truly has wrapped up production.

Playing Ip Man’s wife in the film is Korean star Song Hye-Kyo who is currently working on a Korean television series in Korea and thus was absent. However she still sent a video for the premiere.

In the video she apologized for being unable to attend the premiere and revealed that she was a fan of Director Wong. She said, “Spending three years to work on ‘The Grandmaster’ with Director Wong Kar-wai has been a very happy period of time for me. It includes working with excellent actors, I have learned a lot, gained valuable experience. I have always been the director’s fan. Although my character this time isn’t a key role, being able to participate in the director’s film is already a honour for me.”

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Song Hye-kyo dons a qipao in ‘The Grandmasters’

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Sina:

‘The Grandmasters is set to be released in Hong Kong on January 10. After photos of Tony Leung Chiu-wai, Zhang Ziyi and Chang Chen were unveiled, the film released some images of actress Song Hye-kyo in costume as well as one with her on-screen husband Ip Man, played by Tony Leung. Song Hye-Kyo’s portrayal of Ip Man’s wife broke through her usual sweet and cute roles. She wore a traditional Chinese dress, a mixture of classic and sexy. This Chinese dress was art director William Chang Suk-ping’s design and Song Hye-kyo was rather pleased with her costume look. “Wearing a qipao made me feel uneasy at first,” the actress was quoted as saying about the traditional body-hugging Chinese dress. “But gradually I realized its beauty.” She had to stay in shape for it. She also talked about working with Tony Leung. “He was charming and spoke with his eyes,” she said. “I almost melted.” In one scene she in particular sensed the might of Tony’s eyes. The electricity on the set was stronger than in the film several hundred times!

‘The Grandmasters’ took several years to make. Song Hye-kyo was rumoured to be upset that the production dragged on and on. Reportedly, director Wong Kar-wai had increased Zhang Ziyi’s screen time and reduced Song Hye-Kyo’s; thus she will not attend the Berlin Film Festival opening. The company said that it has not received any news.

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‘The Grandmaster’ to open Berlin International Film Festival; plus new posters

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Berlinale press release:

The international premiere of The Grandmaster by Chinese director and president of this year’s jury, WONG Kar Wai, will open the 63rd Berlin International Film Festival.

The Grandmaster is an epic martial arts drama set against the tumultuous backdrop of 1930’s China and inspired by the life and times of the legendary IP Man (Tony LEUNG Chiu Wai), mentor to Bruce LEE. The plot encompasses themes of war, family, revenge, desire, love, and memory. The all-star cast headed by Tony LEUNG Chiu Wai (Days of Being Wild – Berlinale Forum 1991, Chungking Express, Happy Together, In The Mood for Love, 2046, all directed by WONG Kar Wai), also includes Ziyi ZHANG (Crouching Tiger and Hidden Dragon, D: Ang Lee), who was a guest at the 2009 Berlinale Competition with Forever Enthralled (D: CHEN Kaige), CHANG Chen (Crouching Tiger and Hidden Dragon; Eros, D: WONG Kar Wai), ZHAO Benshan (Happy Times, D: ZHANG Yimou), XIAO Shengyang (A Woman, a Gun and a Noodle Shop, D: ZHANG Yimou – Berlinale Competition 2010) and SONG Hye Kyo (A Reason to Live, D: LEE Jeong-hyang), as well as hundreds of Asia’s top martial artists.

“It is a special honour for us to open the 2013 Berlinale with the presentation of the newest film by this year’s jury president, WONG Kar Wai. With The Grandmaster, Kar Wai has added a new and exciting facet to his body of works, and created an artful, visually powerful genre film,” says festival director Dieter Kosslick.

Nearly three years of film production and almost a decade of preparation went into the making of The Grandmaster for its director WONG Kar Wai, who began exploring the idea for the film in 1996.

“I am truly very honoured by Dieter and his invitation for my new film The Grandmaster to participate in the 63rd Berlinale and to open the festival. This is a dream project for me that I had been developing for many years. I am very happy to be able to present it in Berlin. I was already greatly looking forward to my returning to Berlin to serve as the President of the International Jury, so seeing The Grandmaster presented there will make it all the more special for me,” says WONG Kar Wai.

With his signature style-defining mood, atmosphere and reality, director WONG Kar Wai delves into the eternal question in martial arts of whether the victor is more than merely the “last man standing”, and brings the genre to new heights.

The Grandmaster is a Block 2 Pictures and Sil-Metropole Organisation presentation of a Jet Tone Films and Sil-Metropole Organisation production. It is written and directed by WONG Kar Wai.

The Grandmaster will be presented as the opening film in the official selection, but screening out of competition.

The world premiere of The Grandmaster will be celebrated on January 8, 2013 in China, and the film will open at cinemas in numerous countries including Germany in spring 2013. The film’s distributor in Germany will be Wild Bunch.

‘The Grandmasters’ delayed until 2013; new character posters released

 

 Sina:

Directed by Wong Kar-wai, featuring an all-star ensemble of Tony Leung Chiu-wai, Zhang Ziyi, Chang Chen, Zhao Benshan, Xiao Shenyang and Song Hye-kyo, the film ‘The Grandmasters’ released four new posters today. The posters show four of the lead actors ‘smashing’ through waves. Also revealed on the posters was the new release date of the movie, which is now set for January 8, 2013.

The four new posters depict Tony Leung fighting in Wing Chun style, Zhang Ziyi fighting in baguazhang style (eight trigram palm), Chang Chen using bajiquan (eight extremities fist), and Zhao Benshan using xingyiquan (shape boxing). All four actors display their clans’ special moves as they attempt to split the waves. Water appears to splash everywhere and the chill in the air is evident. The coldness also seems to seep into their faces making them appear domineering. As compared to previous years, the lineup for this year’s lunar holiday films appear to be more competitive. Due to the fierce competition predicted at the box office, ‘The Grandmasters’ has readjusted their release date to January 8, 2013 (prior to the lunar new year).

Wong Kar Wai began filming his first movie ‘As Tears Go By’ in 1988. Next year will be his 25th year as a feature film director. ‘The Grandmasters’ will be his 10th release (excluding Eros, which was a joint project with Michelangelo Antonioni and Steven Soderbergh). However, ‘The Grandmasters’ is also the film he has spent the most time preparing for. Regarding the decision to release the movie the towards end of the (Western) New Year holiday, the spokesperson from the distribution company Sil-Metropole Organisation, says, “This movie incorporates many years of hard work from director Wong and all of his cast. From that point of view, we would like to give him more space to bring his entire vision to fruition. This is the kind of respect we’d like to give to these directors.”

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New stills for ‘The Grandmasters’

A couple of new promotional stills for Wong Kar-wai‘s upcoming martial arts film The Grandmasters have been released. 

Tony Leung with slicked-back  hair and punching has an extremely cool look, the fruit of his two years of Wing Chun training  has not gone to waste. Tony Leung also thanked director Wong Kar-wai for giving him this chance to play Ip Man. Although the training and the production took a long time, he felt it was completely worth it. Tony Leung said, “To experience a martial art master’s journey of the heart, the best way was to practically train in kung fu. During the training, I was able to experience the character as well as the martial art.”

Working with Tony Leung for the second time in a Wong Kar-wai film, Zhang Ziyi in the film plays an Eight Diagram palm master. Before the shoot she needed to train hard. After working together on 2046, Tony Leung and Zhang Ziyi already have built a certain chemistry. This time their scenes together were even more flavorful. Tony Leung said that although he has only worked with Ziyi twice before (they also starred together in Hero), he felt like they have worked on six movies together! Playing Ip Man’s wife, Song Hye-Kyo‘s costume was also unveiled for the first time. She was very spell bounding with her elegant grace.

The Grandmasters will be released on 18 December in China and Hong Kong.

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New trailer for ‘The Grandmasters’

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The new trailer for ‘The Grandmasters’ has been released as well as some new stills. 

The new film from Wong Kar-wai starring  Tony Leung Chiu-wai in the title role will finally be released this Christmas.  As Ip Man, Tony Leung has numerous fight scenes, one of which he had to fight over ten people in the rain and thoroughly displayed his abilities. Tony Leung and Zhang Ziyi had a “fight into an embrace” and a staring scene.

In the trailer, Tony Leung spoke Cantonese while the other actors spoke Putonghua. Other actors like Chang Chen, Song Hye-Kyo, Zhao Benshan, Xiao Shenyang and others were introduced as well.

 

 

 

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‘The Grandmasters’ set for December 2012 release

Ming Pao :

Directed by Wong Kar-wai and starring Tony Leung, the film “The Grandmasters” has been in the works for the past 13 years. Lead actress Zhang Ziyi had expressed her concerns on whether the film will ever be finished. However, the production company finally announced that the film is slated to be released on December 18 during the holiday period. After learning of the news, Zhang Ziyi expressed her relief that the film will finally wrap up and will no longer be ‘missing in action’.
With a star studded ensemble including Tony Leung, Zhang Ziyi, Korean actress Song Hye-kyo, Zhao Benshan, Chang Chen and Xiao Shenyang, “The Grandmasters” has garnered international attention. Wong Kar-wai started working on the script back in 1997. In 2002 it was confirmed that Tony Leung will take on the lead role. However the production was at a standstill for many years. It wasn’t until November of 2009 that filming began in Mainland China. As Tony had broken his arm in July of that year, he had to wait for his injury to heal before joining the production. “The Grandmasters” has been filming for the past two years and it is still incomplete. During the interim, Donnie Yen has led two successful installments of the film Ip Man in 2008 and 2010. He also has intentions to film a third movie. Donnie has expressed that he has been waiting a long time to see the completion of “The Grandmasters”.

After the production company announced the December 18 release of the film, they also uploaded a new photo showing Tony in his role of Yip Man alongside his disciples. In the photo he is wearing a black changshan while being surrounded by his disciples. The sign above the photo addresses that Yip Man has already begun his next chapter in life and has opened up his own school in Hong Kong. Last year a clip of the movie was released showing Yip Man fighting in the rain. This time the photo shows a more restrained side of him. Zhang Ziyi expressed her joy in seeing the film nearing completion. Many others in the industry also expressed their anticipation in seeing the finished product.
As part of the promotions for the film, its official Weibo (Asian Twitter) released a contest to win one of 1218 special design collector’s edition “Grandmasters Invitations”. This attracted great response from netizens. From the invitation photos, the design was very elegant.  The envelope had the words “Grandmasters Invitation” and stamps from the Republic era on the front and on the back was The Grandmasters limited edition commemorative stamp with postmarks from Kowloon Hong Kong, Foshan Guangdong, Peking, Fengtian and other locations. The “Grandmasters Invitation” notified everyone that the film will open on December 18 2012.
Many theaters in Mainland China are confident in the box office sales and hope it will break records. Beijing New Film Association president Liu Hongpeng expressed that he has high hopes for the film. Others have expressed that if there’s good buzz surrounding the movie, the box office numbers will not be a concern.
As the film will be released during the holiday period, it will have stiff competition at the box office. Jackie Chan’s “Chinese Zodaic”, is slated for release on December 20. As the writer, director and star of the film, he will be leading his cast including Korean actor Kwon Sang Woo and actor Liu Fan to compete alongside “The Grandmasters”.

Yuen Woo-Ping and Song Hye-Kyo